Book talk for February 25. What's everyone reading?
For Black History Month, I read Toni Morrison's Beloved, which may be the closest thing we have to a Great American Novel. Set in Ohio a few years after the end of American slavery, we meet a Black woman named Sethe. Her mother-in-law died a few years ago, and her two sons have run away from home, so now Sethe lives in her house only with her daughter, Denver, and a trickster ghost. That uncomfortable stasis is upset with the arrival of Paul D, who knew Sethe back when they were both enslaved. Paul D exorcises the ghost and settles in. Only the ghost comes back, taking the form of a young Black woman and calling herself Beloved. Going into it, I did not realize this was a literal ghost story. I don't mean the psychological is-it-or-isn't-it ghost you get in some gothic stories. I mean this ghost crawled out of the grave and found herself a house to haunt. This was not my first time reading Morrison, but I'd missed her best-known work. It is about the horrors of slavery reverberating through generations, so it is not a fun read, but it is a profound read. Beloved is essential reading for understanding America.
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In America, Trump is attacking DEIA—diversity, equity, inclusion, and accessibility—though if you’d prefer not to use an acronym, the easy way to say it is: Trump is bringing back segregation. He hasn’t been in office a month and he’s already dismantling everything that makes this country good.
In early January, before this attack on America’s people and institutions, I started reading a couple of books about Black history, one fiction, one nonfiction, in anticipation of Black History Month. Reading this history feels more important now than ever…though with all the bad things happening, part of me wishes I’d picked something fluffy to read. A cozy mystery where the cat solves the crime. Published to widespread praise on its publication in 2014, The Half Has Never Been Told: Slavery and the Making of American Capitalism, written by Edward E. Baptist with audiobook narration by Ron Butler, is a detailed study of the ways slavery and capitalism helped each other grow. I appreciate how Baptist centers stories of individual enslaved people throughout. He draws on slave narratives, historical newspapers, oral histories recorded by Works Progress Administration employees, and other primary sources to flesh out the experiences of real human beings in bondage. I further appreciate the special care he takes toward dismantling the notion that the South was fighting for states’ rights. This pernicious myth captivated American historians for decades. If you hear someone arguing that the confederates seceded from the union over the abstract notion of states’ rights, point them toward this book. It was about slavery. It was always about slavery. Also, if you didn’t already want to punch Andrew Jackson in the mouth, this will put you over the top. Most of my pleasure reading comes from audiobooks, but this year I’m reincorporating time for print each day, alternating between a Discworld book and a not-Discworld book. For this series re-read, I’m going chronologically by pub date.
The Light Fantastic is the second in the series. Lots of Discworld fans will apologize for the first couple of books, observing that Terry Pratchett hadn’t yet entirely got his footing. That’s not exactly wrong, but early Pratchett is still delightful. The gentle social satire he’s best known for isn’t much on display, but you still get a fun adventure fantasy with laugh-out-loud moments. Rincewind, the wizard school dropout, is on the run with Twoflower, the tourist, because people keep trying to kill them. Rincewind only knows one spell and he’s never uttered it, so he can’t defend himself with magic, but he’s excellent at running away. If you haven’t read Discworld yet, this book might not be the place to start. Lots of people bounce off it. But you might like it just fine. I do. I’m less concerned about which book you start with, as long as you start somewhere. |
Book talks
When Covid first hit, I started doing book talks on social media as a way to keep in touch with people. I never got out of the habit. I don't discuss books by my clients, and if I don't like a book, I won't discuss it at all. While I will sometimes focus on craft or offer gentle critical perspectives, as a matter of professional courtesy, I don't trash writers. Unless they're dead. Then the gloves come off. Archives
February 2025
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